Part I. Twenty-Four Détaché Warm-Ups
- For Single Tonguing
- For Single Tonguing .
- For Single and Double Tonguing
- For Single Tonguing 14 5. For Single Tonguing
- For Double Tonguing
- For Single and Double Tonguing
- For Single and Double Tonguing
- For Double Tonguing
- For Single and Double Tonguing
- For Double Tonguing
- For Double Tonguing
- For Double Tonguing/“Bariolage”
- For Double Tonguing/Tremolando
- For Double Tonguing/“Toccata”
- For Double Tonguing
- For Double Tonguing
- For Double Tonguing
- For Double Tonguing/Tremolando
- For Double Tonguing/Tremolando
- For Double Tonguing/Tremolando
- For Triple Tonguing
- For Triple Tonguing/Tremolando
- For Triple Tonguing/Tremolando
Part II. Fifteen Legato Warm-Ups
- “Reaching Out” (To Open the Tone, Bottom to Top)
- “Cécile” A (Legato Warm-up for the Middle Register)
- “Cécile” B (Legato Warm-up for the Middle Register)
- “Sunrise” (For the Middle Register)
- “Norwegian Warm-Up” (To Open the Upper Register)
- “Leipzig” (For the Middle Register)
- “Hymn to Nature” (For the Middle Register)
- “Going Deeper” (To Open the Middle and Lower Registers)
- “Giant Steps” (For Wide Intervals, Sostenuto)
- “Aubade” (For the Middle Register, Sostenuto)
- “Stretching” (For Wide Intervals, Sostenuto)
- “Posthorn” (For Tone and Expression)
- “Good Connections” (For Wide Intervals/Piano, Legato Sostenuto)
- “Berceuse” (For Control and Flexibility in the Upper Register)
- “Making Seamless Connections” (For Control in the Upper Register/Piano, Sostenuto)
- “Rêverie” (For the Upper Register/Piano, Sostenuto)
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